When Girls Don’t Move – Part I

Photo Credit: Pixabay

My focusing practice is mostly about my relationship with my moving body so you might think that moving is easy for me. That is not the case.  I have a difficult time maintaining not only my WBF practice of moving but also being able to stick to an exercise plan.

For most of my young life, moving was not encouraged and many times vociferously discouraged. For me, not engaging in physical activity was a way to contain the anger that I felt being a member of my family. If I didn’t move, I didn’t feel anything. As an adult, I can choose to be more physically active.  My question has become, “When I move, what happens on an emotional level?”

For my mother, keeping me still contained her anger and fear of the sexual abuse she had experienced as a young girl. I spent the summer of my twelfth year sitting on the steps in front of my house as an observer of the movement of my neighborhood. A friend joined me because I was forbidden to go anywhere else and our other friends stopped playing street games.  They now had responsibility for running their households because their mothers were working.

How Not Moving Moves Us

The funny thing about this restriction is that it turned our focus on what our parents were trying to avoid. All we thought about was boys, being sexy, being competitive, and imagining ourselves as independent sexual beings. We had nothing else to do. Our favorite activity was determining whether another girl or woman who went by was “competition.” If a boy or man passed by we calculated whether or not he was a potential liaison. After a few weeks of seeing the same people over and over again, we developed elaborate narratives about each of these unsuspecting neighbors—we never; however, made any attempt to act out the stories in real life.

Our stillness was not only the result of our parents’ fear; it was pervasive at that time that girls should not move. We should not play sports because it might cause infertility. We should not swim because there might be human predators in the water. Dancing was no longer okay even if we had dance lessons when at 6 or 7 years old. I got to high school never having played on a sports team.

When I joined a group of girls who wanted a girls’ basketball team in grammar school, the nuns banned even the idea of a girls’ basketball team. In high school, I worked out with the girl’s basketball team.  My parents felt it was not their responsibility to get me to and from basketball practice. There was no other way for that to happen. One night of being left on a street corner alone to find my way home after dark was enough for me to get the message of their intense disapproval and enough to stop me from playing on the basketball team.

As an adult, I tried to integrate movement and/or exercise into my life. A pattern emerged. I would start to move. At first, it was a big struggle. It then began to become more natural. Then, one day it felt ecstatic. That put an end to my movement. I would stop whatever type of movement got me there. This pattern has repeated itself throughout my life no matter how determined I was to change it.

What is your experience?

I’m in my sixties now, and I am a Wholebody Focuser.  I hold space for the part of me that is screaming to move while another part of me needs to put a stop to all movement no matter the cost.  Sometimes I hold space for both while I let movement emerge from my body.  Sometimes I hold space for both while I’m still.  That’s all I know right now.

How do you manage to hold both in situations that present fundamental challenges to moving forward?

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A Heartfelt Duet – Peace Will Come

Photo Credit: Carmen Scalera

For me, music is a way in, a way to be with parts of myself that are sometimes unknown or in the background. I’ll hear a song and locate that feeling again.

A Musical Felt Sense

I found this video, Peace Will Come sung by Miley Cyrus and Melanie Safka, during a conversation with my husband about music that influenced him as a boy. We listened to a song by Dion and the Belmonts called The Wanderer. There was a video of Dion singing this song to an audience of elegantly- dressed couples in a nightclub. While my husband was walking down memory lane, I noticed that the men in the audience had big smiles on their faces and the women were looking aghast. I pointed this out to my husband, and we discussed how this song represented an ideal for men of the ’50s and early ’60s that reduced women to objects.

At the same time, my husband was able to identify the body sense of the song for him as a teenager. He said it opened new possibilities of traveling around the world and adventure. He ended up visiting many parts of the world. He didn’t notice how women were treated because it was not any different from what he had been learning about women from the culture of that time.

Who are the Artists?

I had a felt sense that a counterpoint was needed. I wanted a voice that represented a woman’s point of view, and Melanie came to mind. We went to her web site (www.melaniesafka.com) and found the video below and other material that reminded me how, during the ’60s and ’70s, her songs influenced me along with other girls and women by exemplifying independence and candor about the experience of femaleness. There is evidence in some of the video record that she shares, that she also helped men see women more fully as human beings. She was also a strong supporter of ending the war in Vietnam, and that may have been the reason she wrote Peace Will Come.

Miley Cyrus was a Disney star in the 2000s who was the target of slut-shaming in the USA when she hit her late teens for having grown into a sexy beautiful young woman. She now has a successful career as an actor/singer/songwriter who continues to surprise and challenge her audience. She created the Happy Hippie Foundation that sponsors programs that focus on youth homelessness, the LGBTQ community, and other vulnerable populations.

My Felt Sense of the Duet

This duet between Melanie Safka and Miley Cyrus is a Heartfelt Conversation between artists. The beauty of the setting, the support of the musicians who may not have known what would happen next, the interaction between the singers, and the beauty of the song itself and its social context in the ’70s and today all moved me. A sense of well-being and hope emerged in me.

The multi-generational aspect of this performance also touched me. One commenter called it a “multi-generational eargasm.” Miley’s way of being with Melanie helped me remember how important Melanie’s music was to me as a teenager. Moreover, I became aware of how ageism, especially against women, make this kind of Heartfelt Connection very rare. I found the longing in me for the ability to be a part of a community that holds, with equal regard, the contributions of people of all ages.

Please enjoy the loveliness of this moment shared.

 

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How Does Wholebody Focusing Live in Me?

Elizabeth and Lynn discuss how Wholebody Focusing manifests in their lives.  This “way of being” helps them connect to themselves in a new and more profound way.

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The Unbearable Wound

Whatever remedies we put in place to prevent sexual abuse have to be an unambiguous actions with real consequences that leave no room for interpretation or advantage for perpetrators to continue their destructive behavior. We must also pair new laws with programs to heal those who have been wounded. Wholebody Focusing stands in the forefront of practices that can support that healing.

 

I follow the #MeToo movement closely because it addresses a reality that is central to my existence. Sexual abuse trauma dominates my emotional life. I was never sexually abused myself; however, my mother was. Her sexual abuse impacted her ability to be a loving mother to me. I recently became aware of the depth of this reality when I read a paragraph about what it is like to be in relationship with a narcissist.

A relationship with a narcissist is a desperate relationship where you are always feeling vulnerable, worthless, hated, constantly explaining yourself, silenced, punished, and traumatized. What is it that you are actually doing wrong? Nothing!1

This describes what it was like to be my mother’s daughter. Extreme abuse can engender a particular type of narcissism. My mother, a victim of sexual abuse, needed to throw her own negative feelings about herself onto me in order to live with the unbearable truth and pain of her experience. I experience my relationship with her as something in me that always feels a need to defend myself and is sure that there is no love or margin of error available to me.

Wholebody Focusing as a Way to Heal Sexual Abuse Trauma

The dominance of this felt sense in my life became clear to me one day as I was preparing for a medical test. Try as I might, I couldn’t clear my mind and relax. Thoughts of random moments in the past in which I felt traumatized by interactions with others kept surfacing. There were so many from such a wide variety of different points in my life that I became completely overwhelmed. I slowed down and connected to the energy of the Earth.  I paused with this sense of overwhelm.  A new realization eventually emerged—it was futile to try to hold space for any or all of the fast shifting narratives floating through me.

Continue reading “The Unbearable Wound”

Pauses Big and Small

This past week I had my first class with Addie van der Kooy and Cecilia Clegg called “Practicing Presence.”   I came away from that workshop with some homework—pause and find your grounded presence whenever you can even if you are just waiting for the kettle to boil.  The experience of these pauses helped me learn so much about myself.

One task I needed to do was to put together my bookcases that I had dismantled when the painters came to freshen up my apartment. For months I’ve been promising myself I would make some sense out of the mess so I could actually find a book I might want.

I began sorting my books into piles. I paused to be with all the categories looking for meaning.  The first thing I noticed was how many journals I had.  Even though writers are supposed to be people who wrote in journals all their lives, I never thought of myself as a journal writer.  I found 11 full journals.  Who knew?  They are mostly from extended trips abroad and times of strife.  This was the first big pause.  I stopped to sense into “Who was this person who wrote in journals and what did she write about?”  There were texts of prose, letters to angels, dreams, schedules, poetry and many different types of art—painting, drawing, collage, and textile design.

I paused with each journal in my hands.  I found the text below in a journal I had written when I was struggling with cancer and my relationship with my mother.

The Rage Temple has Gone out of Business

You have rage that’s too dangerous to express?
Open up an account with me. 
Just tell me your problem
And I’ll deposit it in my body.

And when my body explodes with rage
We are sorry.
Now these Temple doors are closed for good.
How long will it take to empty the inventory?

I had these journals. I never read them. I didn’t remember writing them.  I didn’t remember me.  A pause changed that.  The pause got me to open the journals and remember the me who wrote them.

The next pause helped me notice what books I have been reading.  There were a large number of books about all sorts of energy healing, diet, health, wellness, etc. There’s a considerable number of books about Focusing and WBF.  There are also books about Reiki, Flower Essence Therapy and Homeopathy.  These are all practices that are now as normal to me as breathing.  I paused with the books and I sensed how I loved learning about these modalities and how they have saved me and helped me move toward my highest and greatest good.

The next pause that came was around artistic endeavors. There are books on crochet, drawing, creating Flash cartoons, dance, poetry, and feminist literary criticism.  As I was putting some odd books away, I paused again.  Where should I put my bound copy of the Master’s thesis?  It is study of two Spanish women writers who wrote about breaking free, or not, of their patriarchal limitations. They do this through writing self-begetting novels about women who read Fascist romance novels as children and are trying to create new structures for novels about women’s lives. It suddenly occurred to me that my thesis should go with the other books of feminist literary criticism.  Some of these books were quoted in my work.  Rather than being just an activity that I did to graduate, I could understand now that this work is a companion to the other books of feminist literary criticism that I had.

Each time I paused, I felt more like myself.  I felt more appreciation for who I am, the struggles I’ve survived and the beauty I created along the way.   This is an appreciation I had never felt before because I was always too busy trying to change myself to be something or someone “better.”  Instead, I now know that this treasure trove of information about me is readily available and that whenever I pause and hold space with equal regard for what is there, something new about me will emerge.

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Wholebody Focusing and Zen Buddhism

Fusako Nakamura is a long-time Wholebody Focuser who experiences an essential connection between her spiritual practice of Zen Buddhism and Wholebody Focusing.  On the evening of the filming of this video, a monk from the local Buddhist temple came to chant at her door just as we were about to start filming.  We get to hear his chant as part of the video and feel the integration of Fusako’s spirituality and WBF practice in real time.

What she shares with us is how the importance in Zen Buddhism of honoring ancestors is enlivened by her Wholebody focusing practice.  Please enjoy the aliveness in Fusako’s spiritual practice and how Heartfelt Conversation helps her to feel connected to others and allows her to feel less lonely.

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The Unbearable Wound

I follow the #MeToo movement closely because it addresses a reality that is central to my existence. Sexual abuse trauma dominates my emotional life. I was never sexually abused myself; however, my mother was. Her sexual abuse impacted her ability to be a loving mother to me. I recently became aware of the depth of this reality when I read a paragraph about what it is like to be in relationship with a narcissist.

A relationship with a narcissist is a desperate relationship where you are always feeling vulnerable, worthless, hated, constantly explaining yourself, silenced, punished, and traumatized. What is it that you are actually doing wrong? Nothing!1

This describes what it was like to be my mother’s daughter. Extreme abuse can engender a particular type of narcissism. My mother, a victim of sexual abuse, needed to throw her own negative feelings about herself onto me in order to live with the unbearable truth and pain of her experience. I experience my relationship with her as something in me that always feels a need to defend myself and is sure that there is no love or margin of error available to me.

Wholebody Focusing as a Way to Heal Sexual Abuse Trauma

The dominance of this felt sense in my life became clear to me one day as I was preparing for a medical test. Try as I might, I couldn’t clear my mind and relax. Thoughts of random moments in the past in which I felt traumatized by interactions with others kept surfacing. There were so many from such a wide variety of different points in my life that I became completely overwhelmed. I slowed down and connected to the energy of the Earth.  I paused with this sense of overwhelm.  A new realization eventually emerged—it was futile to try to hold space for any or all of the fast shifting narratives floating through me.

Continue reading “The Unbearable Wound”

Billie Holdiay and “Holding Both”

I love to discover the naturalness of Wholebody Focusing in life itself, including in art and music.  I found something new listening to Billie Holiday’s version of Good Morning Heartache.

Focusing is based on the work of Gene Gendlin.  He worked with Carl Rodgers to research why some people thrive in psychotherapy and others did not. Their award-winning research found that whether or not psychotherapy helped a person with their emotional issues was not related to the type of therapy or the skill of the therapist.  It had mostly to do with the client’s innate ability to be aware of their emotional challenges in a meta-cognitive way.  Focusing and Wholebody Focusing, in particular are practices that help people learn how to become more aware of their inner emotional life in a way that naturally helps one heal.

Good Morning, Heartache is a wonderful example of how as someone becomes aware and accepting of what is there emotionally, healing begins. In this song, Ms. Holiday’s voice guides us through her experience of heartache. She starts with wanting the heartache to “get lost” and cycles through what comes for her by being with these feelings. She ends with lightheartedly offering her heartache to “sit down” next to her.  This song demonstrates an important practice in Focusing in which one can  hold both the heartache and the not wanting the heartache with equal regard as a part of the healing process.

Please enjoy Good Morning Heartache. This 1946 song was created through a collaboration of writers Irene Higgenbotham, Ervin Drake, and Dan Fisher.  It was sung by Billie Holiday with backup from Bill Stegmeyer and his Orchestra. The video will play even though it says it is unavailable.