The Pine and I

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Photo Credit: Ana Simeon

Maybe it has happened to you, too, that small secret moment of intimacy with a non-human creature. It’s a powerful experience yet easily dismissed by the mind. The one I want to tell you about happened on a trail in the foothills of the Sierra Nevada in northern California. It is a rocky, spare place, steep and windswept and intensely alive. High on a ridge above a mountain lake, the trail weaves among pines and Douglas Fir growing singly or in small groups, huddled around granite boulders. On a hot late September afternoon, their combined scent rose like incense; the air was charged with it. I walked briskly, enjoying the vigorous motion and the give of the trail surface, changing from rock to needles to bare earth to patches of coarse grasses. I became keenly aware of an added dimension, the arrangement of bodies in the middle distance, so often lost in our habitual focus on panoramic views. I mean by that the sense of my body mass relative to trees and boulders, the way trees stood in twos or threes or alone; a pine and boulder together; or the way the boughs formed a screen so that only slivers of blue were visible, and then suddenly parted to allow a full view of distant peaks. My steps slowed to a walk as I absorbed this new pleasure. My hand reached to touch the furry patch of lichen on a granite boulder, the deep furrow of Douglas Fir bark. I put my arms around a Jeffrey Pine, maybe my age in pine years, glowing deep red in the late afternoon light. I laid my cheek against the bark and was enveloped in a light, sweet aroma, like vanilla, very different from the more pungent “conifer” fragrance that rose from the forest as a whole. (I read later that pines, and especially Jeffrey Pines, are unique among North American conifers in distilling this vanilla-like scent.) There we stood for a long while, the pine and I, in a timeless embrace of arms and branches, skin and bark, one breath.

In her book, “The Legacy of Luna”, activist Julia Butterfly Hill describes her relationship with the giant redwood in whose canopy she lived for more than two years in order to save it from being logged. Hill is positive that Luna knew Hill was there to save it, and gave her support in its tree-ish way. Similarly, with my arms around the pine, I felt very strongly, from the tree, a wave of –  encouragement? Support? Was the pine hugging me back? These are human terms and they don’t quite fit. I felt that the pine and the land it sprang from were holding me up, wanted me to continue my work to save the Peace Valley in my home province of British Columbia from being dammed. I was being offered a gift – an experience of joy and unity, and something more: confirmation, confidence and strength to persevere in my work. Joy and gratitude buoyed me as I walked back to the cabin.

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Mr. Deer and Me

Mr Deer

I offer a moment-to-moment description of a grounded presence experience that I had with a deer as we both walked through the woods. This example highlights an important Wholebody Focusing practice–holding a “we” space for partners.  It also shows how we can have a “we” space with any other sentient being and how both of us are impacted by the relational space they create together.

There he was, Mr. Deer, quietly but unexpectedly just over there. In fact, he was just beyond the clearing of the forest as I began my own walk. I was taking a break from a training that wasn’t going well for me. I wanted to enjoy a walk in the forest to find a grounded sense of myself again.

That is when it happened, that encounter with Mr. Deer. It seemed to startle both of us so unexpectedly. It was a surprise, yes, and startling? Maybe for a split second we both knew that something felt different here and so we seemed to pause and take in the moment with curiosity. It was that pause that seemed to change everything because we both took some space to take in what might be happening that felt so different from what we were used to. What was that? What made us stop and take a moment to become aware of the something that felt new here?

I can’t speak for Mr. Deer. He has his own sense of what was happening in him. For me, as a reflective human creature that I am, I realized I was in a good place. Usually I walk through a forest without really taking much in. But this time I felt differently. I was enjoying this moment of peace and enjoying myself in this wooded environment.

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Haiku, Reiki and WBF

StyTown
The bricks of these buildings are made from the clay residue left by the glacier that became the Hudson River. Photo Credit: Michael Lux

 

Diana Scalera

I love the format of Haiku and have always used it to describe my urban experiences even though it is traditionally known as a form of poetry honoring nature. Since I love urban life so much, I include the urban built environment as part of “nature.” It is a product of humanity, therefore, for me, a part of nature. Almost everything we touch in cities is part of nature in some way. My very large apartment complex, for example, is constructed from bricks made from the clay residue of the glacier that became the Hudson River. I take great comfort in this as someone might living in a log cabin.

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